Chris Childs knows how hard this crossover can be to guard having had his ankles broken with it on more than occasion thanks to Tim Hardaway. Despite being the simplest of the set in terms of total movements, the fake has to be sold properly if it's to be of any use.Read More
- Dribble the ball between your legs to your right hand, and immediately perform a clockwise spin move.
- As you are halfway through the spin (i.e. when you have your back to your defender), dribble the ball behind your defender’s back.
- Continue the spin, and your momentum should take you in the direction of the ball. Retrieve it, and the move is complete.
Move Type: Crossover
Tip: The first movement is not the crossover. Watch the tape closely and you'll see that the player hesitates momentarily before taking control of the ball after putting it behind his back. This slight delay encourages the defender to reach for the ball, and it is at this point that you make your move.Read More
- Dribble towards the basket, making sure that your defender stays close to you.
- When you reach the block, dribble the ball softly and catch it between your thigh and the back of your knee as you turn from the basket. Alternatively, catch the ball beneath your leg as is demonstrated in the video.
- Fake a shot with one hand. The defender should turn to look for the ball.
- Take the ball out from under your leg and continue as desired.
Gary Payton doesn't often end up looking a fool on the court, but Jason Williams sure clowned him with this crossover, faking the former defensive player of the year off his feet. As with many of the best crossovers, the basic motions themselves aren't particularly difficult to emulate here, the real challenge being that of convincing your man to bite on the up-fake.
- Dribble the ball behind your back for a few seconds and try to draw the defence towards you.
- Dribble the ball vertically behind you and catch it between your calf and thigh.
- As you do this, fake over the defender’s head with both hands.
- As they turn around, drop the ball and kick it at their back.
- Dribble the ball through your legs to your right hand.
- In one smooth motion, throw the ball off the backboard and spin three hundred and sixty degrees counter-clockwise so that you are again square to the basket. This should cause your defender to turn around.
- Catch the ball in your left hand.
The Killer Crossover is a shake most associated with former Golden State and Miami point guard Tim Hardaway, often being referred to as the “UTEP Two-step” as a consequence. In an era when crossovers were rarely seen, Tim would regularly freeze his defender to the floor with this one, earning the move its ominous title. Nowadays it can still be seen on the NBA hardwood, with each new generation of players putting their own spin on the old favorite.Read More
You will find here 6 major tips to improve your shoot.
1. Get open.
Create a lead before you receive the ball. Take advantage of your teammates to find an open shot position. Set up the shot you want. "Hoped Shots" rarely end up in the basket.
2. Shot selection.
Know your ability and your shooting percentage. Concentrate a lot while shooting practice. This is important to have a higher percentage during practice. Some good practice shooters may become only average game shooters, but there are no poor practice shooters who are excellent game shooters.
Know where your teammates are before shooting. Make sure no teammate is open for a better shot. Know when to shoot. Passing up a good shot is just as important as taking a bad shot. Be aware of defensive players' and offensive rebounders' positions.
If there's any name you can attach to this move, it's that of AND1's Alimoe, whose frequent use of the crossover has left ballers from coast to coast looking lost. Although effective in most one-on-one situations, it's best employed in transition with a defender facing you up.Read More
- With your right hand, dribble the ball so that it lands roughly a fifteen inches in front of your left foot.
- Lean forward as if to make a move towards the basket, but take the ball with your left hand and step back quickly. If performed smoothly, you’ll create a few feet of space between you and your defender.